Just as the 21st century leaves its teens and matures into adulthood, here at NVIZ we’ve been growing and developing as a company!
In the summer, we united Nvizible and Nvizage, emerging as NVIZ. The two companies had always worked hand in hand, both practically and creatively, but our rebrand recognised the unity that has naturally evolved and matured into our new entity.
Testament to this growth and development has been the opening of our new office in Los Angeles, headed up by Creative Director, Monty Granito. The metamorphosis continued in our London office, where we’ve celebrated more new appointments. Chris Lunney was also named as Creative Director and Janek Lender became Head of Visualisation. All of which streamlines and solidifies our focus on delivering the best, most creative and efficient visual effects services to our clients.
With all this going on you might think we had no time for anything else, but 2019 brought us the opportunity to work on some amazing projects. From providing VFX for the upcoming shows The Witcher, Avenue 5, and Devs, to Virtual Production and Previs for major motion pictures including The Witches, Artemis Fowl and The King’s Man.
In addition to this, we used our creative eye and on-set technical expertise to provide Augmented Reality graphics for the groundbreaking Fortnite World Cup Tournament esport event.
After such a wonderful year, we wanted to thank all our clients and collaborators for your support. We’ve loved all your projects; An American Pickle, Artemis Fowl, Avenue 5, Devs, Fortnite World Cup, Happy!, Men in Black: International, Rocketman, The Crown, The King’s Man, The Rhythm Section, The Witcher, The Witches and Wounds, and we look forward to more to come in 2020!
Finally, on behalf of NVIZ we have pledged £250 to Mungos, a charity dedicated to ending homelessness.
Wishing you the warmest Season’s Greetings and a Happy New Year!
Love from NVIZ x